To clarify:
1. Analog does it just fine; it's a mixing process. Mixers, samplers, bucket-brigade devices, switched-capacitor filters, etc. are excellent practical examples.
2. It's a mixing process. Namely, the product of the input signal with the sampling aperture. The aperture has a short duration, approximated by a periodic impulse function. The product of this signal, with an arbitrary input signal, is to copy the spectrum of the input signal around each harmonic of the impulse signal.
If the input signal has BW > Fs/2, then it will overlap itself (BW above a given harmonic, BW below the following harmonic, the harmonics being Fs apart), which is ambiguous.
Aliasing isn't a problem, in and of itself, but ambiguous signals are a problem. The sampling theorem says that a signal can be
reconstructed exactly when the signal is bandlimited to Fs/2. If you don't need an exact reconstruction, you don't need this condition.
An interesting special case is equivalent time sampling: the input is not reconstructed exactly -- in fact (for an incremental-delay, triggered sample) it is divided. The wave
form is reconstructed, but at a rate below Fs/2 -- the bandwidth limitation is not violated, nor is the sampling theorem (you clearly have not reconstructed the original waveform one-to-one!).
3. Pedantic but important point -- sampling is analog or digital, it doesn't matter. The domain of sampling is called
discrete time.
(Incidentally, where continuous-time signals are typically transformed with the Laplace or Fourier transform, discrete-time signals are transformed with the Z transform (whereas s or j*w means frequency, Z simply means... delay one sample!). Interestingly, there is a direct correspondence between these transforms, so that all our continuous-time tools still work, under a fairly simple mapping.)
Ofc I have to keep playing devil's advocate and keep pushing this idea. So assuming the granularity of the medium was limited, as it is also in a photographic film, and it was in a regular pattern, you would get aliasing? So in theory, similar effects could happen with "granular" material in capacitors, depending on how they were produced, I suppose.
You would get aliasing if the signal has more bandwidth than the film, yes.
This doesn't usually happen, because optics just aren't that great. Even with very good optics, the scene's depth of field may frustrate that (even if stopped down very far).
In this case, we're talking spacial frequency -- sharpness, resolution. It works exactly the same -- whereas an electronic signal is a function of time t, an image is a function of position (x, y).
An extreme example is photolithography (the process by which semiconductors are made), which is presently pushing ten nanometers. Obviously, it helps that the exposed medium is a molecular resin; on this scale, a film emulsion looks like the Himalayas.
You can imagine, if a wafer were coated with a very regular colloid, so that a regular hexagonal monolayer sits on it, and that colloid were exposed to the patterns used to create CPUs, you would end up with a very strange image, as some particles are exposed while others are not; in fact, you would end up with Moire patterns (assuming a regular pattern of transistors) -- optical aliasing.
Is there an inherent physical phenomenon that makes it unlikely a sufficiently regular "matrix" or pattern would happen in production processes of electrical components?
It's always there, but whether you see a pattern, depends on whether that pattern is present in both signals (the image and the sensor, in this case). If both are uncorrelated, then no correlation is observed at a large scale. To observe a Moiré pattern of, say, 1mm pitch, one needs an image of, say, 0.01mm and a sensor pitch of 0.0101mm, and for that pattern to be regular (say, 1.0 +/- 0.1 mm), both pitches need to be accurate to as many decimal places -- that is, 0.01000 and 0.01010 respectively.
Moiré is a remarkable phenomenon for two reasons: one, order is not often seen in the world ("nature abhors a straight line"), let alone the long-distance regularity required to observe a large pattern; and two, when viewed from two locations (binocular vision!), a pattern formed from two screens (say), is very different from those two locations; they're very eye-catching.
Of course, the change in contrast over an aliased image, or the fluctuating intensity of an aliased signal, is nearly as jarring.
Tim