Hi, I just discovered this forum and thought I'd contribute some soldering tips.
I have been building and repairing tube amps for many years. Since the 60's. For several years I have used Kester#44 63-37 .025dia. I twist it with a drill and vise in bundles of 2 and 3 strands at about 10 feet at a time. Then i coil the 3 different sizes around a magic marker or other appropriate sized cylinder and put them into small prescription bottles with a hole drilled in the cap. This allows me to have an easy to hold dispenser for 3 sizes at each of my 3 soldering stations from the same bulk solder source. For pcb stuff, [I don't do SMT or hot air repairs] the single strand works best. For bigger terminals and chassis or pot ground connections i like the 2 and 3 strand twists. They also hold paste flux better. I push them through a drilled hole in the lid of the common 2 oz flat flux containers to pick up flux. Many paste fluxes work well for clean or new joints.
For tough to solder joints, vintage stranded wire or old pots [some of the guitars and amps that I work on are 50 or more yrs old] i use Clophane liquid in a needle dispenser bottle or Oatey 95 tinning flux in a syringe with a large dia dispenser tip. Both allow precise application of just enough flux. Less is more. Despite the label saying "Not for electrical use", I find that joints primed with Oatey 95 and soldered with kester 44 look good and test perfectly sound with an ohm meter after 10 or more years. I bet many of you have seen humongous globs of solder on the backs of pots, usually because of lack of skill or often not getting the solder/flux to flow onto the pot surface when tinning it, pre solder. With just a tiny prep of both the wire and back of the pot with #95, the subsequent #44 flows like water. Cleaning with undiluted ethyl or isopropyl alcohol afterward might be useful to remove flux residue, but the flux in the Kester 44 seems to displace the # 95 flux from the actual electrical interface. ALSO I feel the # 95 prevents overheating components by allowing the rapid low temp tinning and subsequent soldering of a joint. And I always apply the first tiny dab of solder TO THE INTERFACE OF THE IRON AND JOINT BEING SOLDERED. This initiates heat transfer. Then apply the solder to the joint so it flows toward the iron. I have watched Youtube videos where "experts" overheat components being soldered while waiting WAY TOO LONG for a small tip to heat the point being soldered and the solder to "flow" from the extreme other side of a joint. This isn't Voodoo or charming a snake out of a basket. Heat the joint and wet solder it as quickly as possible and use some solder to speed up the heat transfer. Otherwise You wind up with melted wire insulation, cooked capacitors, and even pots that dont work right. If it's a pot in a vintage guitar or amp, you DON'T want to damage it.
IMHO, lawyers write caveats and warnings and some self proclaimed "experts" teach improperly, so that if we all heeded without common sense, they would have us idly worrying instead of working or applying our skills or hobby motivated interests. Work smart with an open mind. A little pinch of something forbidden by lawyers/"experts" can produce scientific magic. So take what i just wrote with a proverbial grain of salt too.
Riffin