A set of decent electrostatics and a nice optional sub/s in the right positions
should give half deaf shell shock syndrome professionals, studio wannabees,
and audiophools with awesome imaginations, expectations, waxless ears and bottomless pockets,
great sound as good as the source signals going in, as long as one doesn't push the system past headroom and sanity limits
If the source is compressed metal, rap, indie, grunge or commercial Autotuned chipmunk drivel masquerading as music
don't waste your money on the above, just use earphones or headphones
and the neighbors may stop throwing cig butts, dog turds, used syringes and cond0ms on the lawn