Ever see a metal 6L6? Think the more common metal 6F6 but over twice the size. My father repaired TV's in the early 1950's and he had several brand new and absolutely pristine metal RCA 6L6's in his stock. After my parents divorced in the 1980's my Mother threw them away along with all the other tubes. Can you imagine what they would be worth today?
Not a hell of a lot, actually. Compare the prices they bring on eBay compared to other NOS 6L6 variants. I wish they were more valuable, as I have a big box of the things in my lab somewhere.
The original metal 6L6 has only a 19W plate dissipation rating, compared with the 30W of the "modern" 6L6GC. They tend to fail spectacularly when used in anything other than their original applications, large console radios and early PA amplifiers. They are out of the question for guitar amp use because of plate dissipation and voltage ratings, and the 6L6 was never really popular in vintage HiFi gear (unlike the EL34 or 6550 types), and obviously lack the cool glow, so the audiophools tend to shun them.
Many years ago, I built a pair of water cooling jackets to fit on metal 6L6 tubes, which allowed the ratings to be pushed considerably. These were inspired by an article I saw in a 1930s QST magazine about operating the new metal 6L6 upside down in a can of transformer oil as a class C RF power amp.
One other caution on the metal 6L6 is that like most metal tubes, pin 1 is connected to the metal shell. Glass 6L6s don't have a pin #1, but it is quite common for the unused lugs on the socket to be used for a tie point, making for a potential shock hazard if the metal shell becomes live with plate or screen voltage! If you want to play around with the metal tubes, pin 1 on the sockets should be grounded right to the chassis.