Why would the PCB deform?
Because you just crushed a piece of metal around it and then subjected it to intense thermal cycling.
That's a one-time thing and very localized. Your assertion was with regard to PCB deformation that would cause a solder joint to crack, which would have to happen sometime later down the road. By the way, old solder joints often crack, and it has nothing to do with PCB deformation; a PCB isn't even always involved.
Old equipment. Once upon a time, through-plating was an expensive procedure.
Nice to know that factories used rivets once upon a time. In my experience, old equipment tends to be rather reliable. By the way, what exactly did you repair with these rivets? If it was cracked solder joints, that's not the rivet's fault. I've repaired lots of cracked solder joints; they are especially common on old CRT TV/monitor chassis, and none of them had riveted PCBs. I've never even seen a factory-riveted PCB before.
With nothing more than excessive heat applied for a ridiculously long period of time, yes.. And I can destroy any PCB with nothing more than a screwdriver used incorrectly, I don't see the difference here.
You don't need to apply heat for a "ridiculously long time" to damage a through-plated pad. Also, a soldering iron is something normally used on pads, either for the initial installation of a component or rework. Vandalizing pads with a screwdriver isn't normally done. I've come into possession of a lot of old PCBs that had damaged pads from previous owners' handiwork with a soldering iron. Had they been riveted through holes, they wouldn't have been damaged. I've yet to acquire one that someone mutilated with a screwdriver.
Crap or faulty plating, yes, quality work, not so much. Decent modern PCBs are very durable, plus you get a component lead in the larger ones as support. Smaller ones can be plugged with solder, epoxy, or even fully plated.
That's true, but it would never be an issue with copper or brass rivets.
I, too, would love to see a guide on doing multi-colour silkscreening affordably at home, as it could be applied to a professionally manufactured PCB after the fact just as easily as a home etch..
It is a lot of work. For full-color process printing you need to make 4 screens, or more than 4 for some variants of simulated process, which tends to give better results than standard CMYK (4-color) process. As for affordable, it's affordable for me, because I'm already a screen printer, so it is just a matter of the cost of screen printing ink (and it takes very little of that for each print), waterproof inkjet film for making the film positives, and however much emulsion I'd use to make the screens. If you're not already set up for screen printing, there would be a pretty big startup cost.
The basic procedure for CMYK process printing is like this:
1. Separate your high-resolution artwork into CMYK. This can be done in Photoshop using channels, or there are specialty applications for it as well, such as "UltraSeps".
2. Print your 4 film positives as halftones using a PostScript printer, or any printer combined with specialty RIP software. You can use [free] Ghostscript like in my tutorial that I linked to, or there are [expensive] dedicated software packages for it, such as Accurip (about $500).
3. Use your 4 film positives to burn 4 screens which you have already coated with emulsion and allowed to dry for at least 4 hours or so. You'll want relatively high mesh count screens, such 220.
4. Once you have your screens burned, washed out, and dried, you need to register them. Some people register to the film and others register to a test print. It's a matter of positioning each screen properly so that they all line up with each other and with where you want to print on the substrate, and locking them all down so that you can move/rotate them out and when you move/rotate them back in, they are still registered.
5. Print. Some people flash cure between each of the 4 screens and others print wet on wet. It depends on the effect you're going for and the type of ink you're using.
ETA: I'll add that a lot can be done with just one-color screen printing (a lot less work than 4-color process, no color separation or registration required, and the startup cost is far less, because you technically can use a pair of
hinge clamps instead of an expensive multi-color screen printing press), from simple spot-color art such as the famous
Che Guevara T-shirt to black & white photographic images, like you see every day in the newspaper (which are also printed with a one-color halftone process).