About what I want to see. It's like the following where one can see the intensity at every 100 Hertz from 100 to 1500.
That's labeled as a frequency-time plot, but it's a little different when I look closely. There are too many related lines, which suggests multiple capture channels rather than a single spectrum spread.
Is there more info on the actual experiment setup ?
What they may have done for this, is construct ~ 10 sharp audio band filters, and then plotted the envelope amplitude output from each of those filters.
However, the plot also varies in density :
FWIR 'way back' there were spark/arc plotters way back, that left a mark and more time in that area, meant a thinker / darker line, or the higher the drive current, the larger the spots.
If we presume they used that tech, and the line thickness is then amplitude, to get some small frequency deviation info, (within each audio band) you could place a monostable after an audio bandpass (that's how tachometers work)
It's rough, but useful, and the plots will be multi 'line' XYZ* in nature, and may cross-over into each others territory, depending on the band-pass and mechanical plotter offsets - which is what your image does.
*Z is the line thickness.
Guys. I have some questions. She claimed to do it in the 1970s. At that time, what kind op-amps or device or technology can even measure frequency of 20,000 Hz? That would need sampling to be at least 40,000 Hz to satisfy Nyquist theorem. At that time, what is the best sampling possible? (She claimed a NASA engineer helped her build telemetry to measure that). Can you list the years and what maximum samples rate can be achieved? She wrote:
You are over thinking this, and in 2023 terms.
Certainly 20,000Hz is just audio band, and Audio amplifiers have been around as long as loudspeakers, which is over 100 years !
LCR band filters are certainly easy 1970's technology, and impulse tachometers date from at least the 60's, and ferrite cores date from the 30's
Doing this in the 70's is not going to fit in your pocket, but it's bench-sized and repetitive (~10 channels) audio level tech, so certainly within any decent lab ability.