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| how much gain do I need for a guitar preamp to drive a line input? |
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| ELS122:
--- Quote from: langwadt on February 05, 2020, 01:43:17 am --- --- Quote from: ELS122 on February 05, 2020, 01:14:59 am ---Load on a pick up changes a lot already at 1 meg or so. It basically changes the peak/resonant frequency of the pick up, so the crazy talk about where you put your tone controls and how you wire everything isn't that crazy after all. So I gave up building that amp. Cause it's just too powerless with about 20w or so. I’m gonna buy a rigonda 106 I found really cheap. It's super beaten up but soviet radios never seem to die for me. Anyway, it seems it has a 6p14p push-pull output so it will have a nice 15watts of tube power. Why is that better than 20w of solid-state: cause when you push tubes to the max they distort in a smooth way. Shaping the sound in a smooth way, this adds a lot of harmonic content and thus sounds really loud. Also I am just not familiar with solid state circuits at all. Also a typical 12ax7 gain stage has a gain of arround 70. So it's a lot when you add up multiple gain stages. Also I've heard that output tubes need somewhere in the 50v range to drive them. Also I've heard that a guitar outputs 1v ptp when not loaded. Also sorry for my autocorrect if it changed pickup to pick up --- End quote --- sounds like most things tubes is a lot of hearsay and folklore that has been repeated so many times that is has become unquestioned fact whether it has any basic in reality or not --- End quote --- What? Didn't understand a single word. Anyway what I said about tubes is basically what I've read that sounds right and is logical rather than ”tubes just sound better and louder” it seems that the only advantage in tubes is that they add a lot of harmonic content, as el paso tube amps said I think once that you can get a solid state amp look like a spectrum analyzed on a spectrum plot but it will sound worse than a tube amp cause it's just too perfect and humans don't like completely perfect things. And they prefer sound with more harmonic content. I think he said something like this? I tho haven't proved pretty much any of these claims. |
| Circlotron:
Before it hits the clipping point, a tube amp without negative feedback will *gradually* slide into more and more distortion. The harmonic structure of the resulting signal changes with signal level, somewhat comparable to pounding harder on piano keys makes a different sound. The amp is part of the instrument, just like the loudspeaker is. This is a perfectly valid use of tube amps. No reasonable person nowadays would say tubes are the best for everything, but for musical instrument amps, where you are trying to produce an original sound, not reproduce an existing sound, they do seem to affect the sound in a desirable way, and give the results many people like, and pay good money for. Tubes for musical instrument amp = yes. Tubes for hifi = matter of opinion. I love tubes. Haven't got any tube stuff nowadays though. |
| LaserSteve:
I'm Guy who mixes three bands at his place of worship on weekends + vocals. The answer is, "It depends on what you want to do". But you will have to do a lot of measurements to find what you need. One of our favorite pieces of gear has a switch on the input for +22,+4, 0, dBu and -10 dBV gains. Why? because there may be audio standards, but not every piece of gear follows them. On a guitar pickup. first stage, gain of +10 to +15 and watch your input impedance, coupling, and roll-off. Second stage, as much as you need to get to line level, and variable gain or fixed gain with a output potentiometer before the line driver. Why, because I can hear the changes as the load on the pick up changes on low end and prosumer gear used by our musicians. Hell, even a direct box can color the sound. I have one musician I will call "Dr. One Note Wonder", because of the horrible way his beat up old preamp / equalizer acts like a bandpass filter and peaks the middle of his main octave because of pickup loading. One day that box quit and we put him on a nice modern wireless sender with built in "classical music" grade preamp with very light loading. WOW, Night and Day.. Non technical persons walked up and asked him what he changed to sound so much better. However the old box is his "Security blanket" and he refuses to give it up. |O We keep a tube follower around for those who want "that" hollow state sound. Our digital mixer has a remote controlled variable gain preamp for each channel after the line receiver and then the slider on the IPOD we use for control. Both get used a lot on the guitars, and change a lot during rehearsals. No two guitarists or bass players get the same settings on the console, and I'm trying to convince leadership that we need a "pickup" clinic some evening to clean up the mess between say seven different guitarists and their instruments. Point of the matter, make your design very flexible. Cheaper to buy a few of them and see if they color your sound, versus building your own. Don't even get me started on the direct boxes that do not have a wideband transformer in them. I swear some of them use 60 Hz magnetics instead of audio transformers, and can see that on bench test when I sweep them. Don't get me started on the scratchy, cheap, passive adjustment rigs in some of the guitars. I'm not an Audiophool, my home speakers run on 14 Ga Zip Cord. :D Steve |
| obiwanjacobi:
--- Quote from: ELS122 on February 03, 2020, 10:07:43 pm ---basically I have a transistor output stage that I can easily drive from my phone, how many gain stages I need and how much gain to drive it from a guitar? I'm also looking for a LOT of gain. --- End quote --- Do you mean "gain" as overdrive/distortion -or- as the amount the signal is amplified? Many guitar players use the word gain as measure of overdrive/distortion => so I'm just checking. My understanding: Input Impedance => look at pedal circuits that have a 'buffer'. That first stage is what you need. It makes sure that the impedance from the pickups is matched and the signal has no loss. After that a simple (non-inverting) opamp should do. If you also want overdrive/distortion: look at overdrive/distortion pedal circuits: notice the diodes in the amplifier stages. Note that a guitar amp has half the frequency range of the hifi frequency range. So connecting an overdriven guitar signal to an (hifi) audio input may make it sound crackling, thin and odd. A simple low-pass filter could fix that though. [2c] |
| Zero999:
To answer the original question: not much gain is needed for a guitar pre-amp. A unity gain buffer is often used. A single MOSFET with in a source follower configuration can be used. https://circuitszone.com/guitar-preamp-circuit-based-fet/ Another option is a BJT with bootstrapping to increase the input impedance. LTSpice Simulation https://www.eevblog.com/forum/projects/resistor-and-pot-in-parallel-not-working-as-i-expected/msg1401083/#msg1401083 |
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