Thank you for your reply.
I find it odd that the design principle doesn't seem to be described anywhere.
The classic interference tube design, on the other hand, is described everywhere.
If I compare it this design to the classic shotgun mic, the cardioid seems to be the better one if it comes to audio quality from off-position-sounds.
Well, I didn't think of the use for ambient sound.
I tried the microphone and wondered why they put a mic like that on the camera.
My only thought was: You can't film that close, can you?