Why not use an ordinary sewing needle?
That was my first thought too. I had a choice of standard sewing machine ones, or some great big ones used in sack-sewing machine.
[Edit: Doh. I thought you meant sewing machine needles, but you meant hand sewing needles. Uh... because I didn't have any that were thick enough?]
But there are disadvantages:
- They are all too long. I'd have to cut one short, and still have exactly the same mounting problem.
- The ends aren't round - they are sort of blade shaped. And there's the thread hole and channel.
- I only had a few needles for my sewing machine, and would rather keep them for their intended use. But although I do have an old gramophone (a restoration project) and a stack of 78s, I'm unlikely to ever need all the full box of needles I have.
Gramophone needles are just right.
Btw I've never seen a gramophone needle that wasn't hardened steel. Never one with a jewel tip. You're thinking of 'modern' phonograph pickups perhaps?
In other improvised spikey probes in the past, I generally used hard steel dressmaker's pins. But they are a bit too thin.
For example there was an "is it tristate?" probe. Used with a scope to look at uP bus lines to make it clear when the bus was being driven by something, as opposed to just floating. It's a probe with two connections to the point. One is direct, and that goes to the scope. The other is via a 10K resistor and connects to the output of a triangle wave generator, outputting a 5Vpp signal (between GND and +5V.) The result is that floating intervals in the trace become obvious 'bands' of solid colour.
Normally with bus signals you can't tell, since over time intervals of a microsecond or so the bus line just holds its last voltage, more or less. The 10K resistor is high enough impedance that the injected triangle wave has no effect on operation of the system. (If it does, there's something wrong with the system's noise margins!)