Back then, rubber sleeving would have been more common. The grey nylon cable tie is also non-contemporary.
Also note the assorted TO-33 heatsinks, with one missing altogether.
Now you mention it, it seems odd to have one cable tie, when the rest is laced in that HP 461A.
Don't know about non-contemporary, as the YHP 4270A I acquired uses grey cable ties all over, the design change prefix is 952, next prefix used was 1017J according to the pdf manual (ex Helmut Singer Elektronik) available on the web.
David
I'd consider it extremely unlikely that those cable ties are original, though they are an older design, and it's a very neat job, but I don't think butt-splice crimp wiring is a factory feature.
EDIT: I'd expect lacing on something like this, presumably a technique beyond the skills of whoever bodged the new cables in with the crimps.
The instrument is old, it would be naive to assume it had not been subject to rework sometime in its service life.
If a Tech has to fix something, they will use whatever is available to get the device back into service.
Nobody in the late 1960s/early 1970s would have painstakingly re-laced a cable form inside an instrument, when cable ties were ready to hand.
Around that time, those of us that had to cable things sighed with relief that we didn't have to use waxed twine, plastic cabling "cord", or just 1mm plastic tubing to cable wiring anymore.
I don't believe in the "return it to showroom condition" philosophy-----the various repairs, modifications, etc., are an integral part of the instrument's history. (Unless, of course, they are a total "bodge".)
"Form, fit & function" & the foremost of these is function!