In the world of audio, amplitude resolution is equally as important as frequency resolution. And the generally accepted useful frequency range for audio is 20hz to 20khz (the audible range), although some audio circuit designers argue that there is human sensory benefit in capturing analog signals well above the audible range. I won't go there, but there is undisputed benefit in digital audio sampling for having a significantly higher sampling rate outside of the audible range for pushing anti-aliasing filtering way above the audible range, which allows for less steep filtering. It isn't uncommon for digital audio recording/playback interfaces to have available sampling rates of 96khz, 192khz, or even 384khz. In terms of oscilloscope frequency range, even a very high 384khz audio sampling rate is very lowly, and some of the lowest cost 'toy' scopes far exceed that reaching into the multiple Mhz range. But on the vertical resolution side of oscilloscopes, 8-bit sampling is still the most common, which is horribly low in the audio world. And even 14-bit is very lowly in terms of audio amplitude, giving a dynamic range of 84 dB, where everyone today is making 24-bit audio devices (144 dB). Given the upper limits of analog frontends (~115 dB, give or take ~6 db or 1 bit) 24-bits aren't fully utilized, but it exceeds the range of the analog frontend by enough that it isn't the limiting factor. In other words, 24-bits well captures the full dynamic range of the cleanest available analog audio signals.
So then, why isn't vertical resolution more of a concern for dso's? I realize that testing audio circuits is only one of many uses for dso's, but is quantization noise not a major concern in other areas of electronics? Is there a tradeoff to be had for more amplitude resolution and less frequency resolution? Why are there no dso's which are weighted toward audio and other uses which involve concern for dynamic range? It seems to me that at least for audio, a dso with a much lower frequency resolution in trade for a much higher vertical resolution could be very useful. Also, with a 24-bit depth, the full range doesn't necessarily need to be utilized in cases where frequency resolution is much more important. In the audio world, with a 24-bit device we can record at 16-bit or lower.