tszaboo,
You raise a good point. The resolution of the microbolometer and resultant IFOV can effect the users interpretation of a scene. With purely thermal imagery I have found 160 x 120 pixels to be about as low as I would go where sense needs to be made of scene content. At 320 x 240 pixels the scene is more easily interpreted and the context of the ‘hot spots’ is easier to see. In many thermography applications the user is either searching for anomalies or wishing to identify areas of interest through measurement of thermal energy being emitted by them. It is relatively rare to need a pin sharp very high resolution thermal image of a target in professional thermography. By its very nature, thermal emissions tend to be somewhat vague when it comes to their boundaries as substrate conduction often blurs the edges. That said, it is possible to obtain very well defined thermal images if such is required and appropriate equipment used. The recent increase in thermal imaging being used for broadcast applications such as spotting wildlife, has lead to a desire by many to achieve similar performance from consumer grade thermal cameras. Sadly the cameras used by most broadcast companies for wildlife observation are both high resolution and very expensive. That is not to say that good results cannot be obtained with a 640 x 480 pixel thermal camera that is equipped with a suitable lens though. This is a different usage scenario to that normally seen in industry and domestic thermal camera applications and sadly it is likely to be an application of thermal imaging technology that requires cutting edge FPA performance and resolution. Why ? Because this is a move from utility use of a thermal camera to artistic use where the image quality and clarity is all important and the Radiometric measurement accuracy less so. “Pretty pictures”, as I choose to call them, can be very impressive but sadly the audience can be very demanding and critical as many are used to modern high resolution VL digital images. This increases people’s expectation of thermal image quality beyond what can reasonably be provided at this point in time by most photographers working in the thermal domain. It is a bit like producing the pictures for Vogue magazine using a cheap Logitech QVGA or VGA web cam from the 1990’s !
To enable users to make sense of what they are looking at and to provide context to the thermal image, some manufacturers have added thermal fusion and edge detection overlays to their cameras. The visible light information overlayed or fused with the thermal image can greatly increase the user friendliness of a low thermal resolution camera. FLIR knew this and introduced the MSX system in an effort to make their lower resolution cameras appear to provide more detailed thermal imagery than was actually possible at the provided resolution.
With the FLIR ONE G2 and G3 dongle cameras FLIR did not provide the option to switch off the MSX visible light overlay. I was told by FLIR that the marketing team wanted the images produced by these dongle cameras to appear higher resolution than they were in case people compared them to the higher resolution Seek Thermal cameras with which they were competing. The image fusion technology employed by FLUKE and others is a mixed blessing. Whilst it adds a colour visible light image overlay to the thermal image that can provide context to the complete image, the mixing of a colour VL image with a colour Thermal image can lead to a confusing mash up of colours in the scene. The use of a monochrome VL image and/or adjustable VL image transparency can assist the user in determining what is thermal data and what is VL data in a scene. The Achilles Heel of visible light image use on a thermal camera is its need for adequate illumination. Without adequate light levels in the region of interest, the VL camera struggles and a very noisy image can result, or even no image at all. This is why some cameras integrate an LED illuminator into their camera designs. The range of such illuminators is often quite limited however.