don't forget how much the chinese government likes to steal designs.. good reason to make your own if you are doing prototyping prior to mass production where you can get a market following.

lots of good info.
the cupric chloride method sounds interesting...and relatively cheap to try, though requires a bit more maintenance and knowledge than just using a throwaway etchant.
I might give that a go to learn about the process.
don't forget how much the chinese government likes to steal designs.. good reason to make your own if you are doing prototyping prior to mass production where you can get a market following.
Yeah right. The Chinese have an army of people poring over and reverse engineering every prototype gerbers that get sent to their fabs. Especially the small orders from hobbyists, in case it was something worth stealing. Come on. Paranoid much?
I guess you have no idea how many boards fabs like JLPCB and similar process daily and how much work/time does it take to get the gerbers processed, without even trying to figure out what the board could be for. Naked PCB without matching schematics and firmware is pretty much worthless, not even the Chinese have so much free time and labor on their hands to try to copy your product idea just from that.
If you order assembly service, that is a bit different (there have been cases where the assembler "ran away" with someone's product and started to make copies) but we are talking bare boards, not assembly where the factory has everything necessary to manufacture the product, including any firmware, BOM, etc. But then nobody forces you to do assembly in China and/or you should have a proper contract and means to enforce it (lawyer, etc.).
There are many reasons why etching boards at home may be worth the time and effort but this would certainly not be one. Also, what would you do if your product needed a multilayer board or something denser than 8/8 which about the limit of what is doable at home?

^I wonder, now. Maybe the corrosion is due to the bottle of muriatic I keep by the tank. Any unpainted steel within a few feet is toast. I often used ferric indoors without any problem.
Funny thing is I remember finding instructions to dissolve copper wire in the mixture to produce cupric chloride, but that's just silly since you can just etch some boards. When you finish it's easy to neutralize any excess with baking soda.
I used to use ferric chloride, but then I discovered HCl + Peroxide. It's cheaper and easier to get, works faster, it's transparent (at the start) and once it turns into cupric chloride you can keep on using it.

(I hope he didn't burn his house down what from the O2 gas produced by all that peroxide wasting away.)Once it starts to go green, it speeds up quite quickly and the copper will start dissolving overnight.
When you are getting started without peroxide, you cant start off with enough acid to use a bubbler unless you can get copper oxide powder, as starting with oxidised fine wire, if you simply immerse it in acid, the cuprous ion concentration will be too low to dissolve copper metal at a useable rate.


then basically added that to the HCl (which may have been 33%
The problem here, is that peroxide is inherently unstable. You know how it bubbles when you put it on a cut? Same thing happens when you mix it up with cupric chloride. When you mix it up with the straight acid, it doesn't bubble, noticeably, but as soon as you start etching, the peroxide degrades faster. In fact, when you add even 3% peroxide to proper cupric or ferric, it will bubble vigorously... So only a fraction of what you put in there even oxidizes/recharges the cuprous to cupric. The rest just releases into the air. After you put your used acid and peroxide etchant away, all your peroxide will be plain water by the next time you want to etch a board.
Not like you oughtta?
The problem here, is that peroxide is inherently unstable. You know how it bubbles when you put it on a cut? Same thing happens when you mix it up with cupric chloride. When you mix it up with the straight acid, it doesn't bubble, noticeably, but as soon as you start etching, the peroxide degrades faster. In fact, when you add even 3% peroxide to proper cupric or ferric, it will bubble vigorously... So only a fraction of what you put in there even oxidizes/recharges the cuprous to cupric. The rest just releases into the air. After you put your used acid and peroxide etchant away, all your peroxide will be plain water by the next time you want to etch a board.
Spray etcher is a bit of a luxury for a home gamer. They certainly do work well but are quite an overkill unless making a lot of boards.
I've used ammonium persulfate and it's very clean working and IMO better than ferric chloride.
So you discovered this muriatic and peroxide, and you're still using it. Why are not using cupric chloride which you have automatically made by now? Surely, you have "simply etched a few boards" by now? Are you repeating this recipe without ever having done it yourself? Just restating as fact, something someone else initially stated as fact? And with no experience anywhere to back this up as actually being a good idea?
I've used ammonium persulfate and it's very clean working and IMO better than ferric chloride.
I could never get that stuff to work unless it was over 80degC
It would always cool down too quick to use.
Even if you put the container of it in a bucket and poured boiling water around it, it would still cool down and stop working before you had finished etching.
I guess if you had direct heating of the solution while etching it might work.
But it doesnt work cold at all.
HCL peroxide or Ferric chloride will work at room temp, just not as quickly.
ammonium persulfate doesnt work at all.
I've used ammonium persulfate and it's very clean working and IMO better than ferric chloride.
I could never get that stuff to work unless it was over 80degC
It would always cool down too quick to use.
Even if you put the container of it in a bucket and poured boiling water around it, it would still cool down and stop working before you had finished etching.