I'm a student focusing on digital design and don't have very much experience in the analog domain, but last night I was thinking about bode plots and realized that I had been viewing them incorrectly for quite some time.
If I have a simple first order RC low pass filter with a cut-off frequency of Fc= 10Hz, and I feed a 1v pp sine wave into it at 100Hz, then since the filter asymptotically has 20dB per decade attenuation, I ought to get a 0.1v pp sine wave on my output.
However, if I have another first order RC low pass filter with a cut-off frequency of Fc=100Hz, then in order to have my output attenuated to 0.1v pp like in the other example, my input frequency needs to be 1000Hz, as the rolloff is still 20db per decade.
So when looking at the bode plots of these two filters, one will see that they both have a constant rolloff of 20dB per decade, yet thinking in linear terms, the filter with the 10x higher cut-off frequency rolls off 10x slower. I somehow thought (through my carelessness) that the constant 20dB per decade roll-off meant their linear roll-off was identical. This probably also could have been avoided had I been thinking more carefully about the zero pole diagram, and the magnitude of the response along the imaginary j*omega axis.
This is an interesting point to think about, because it means that many bandpass filters which may appear to the naive to have symmetrical low frequency roll-off and high frequency roll-of, do not.
At first this realization troubled me quite a lot, but then I realized that at least for audio purposes, this might actually be a very nice property of filters, since the ear's determination of pitch is logarithmic (i.e. the musical note C5 is twice the frequency of C4).
This post isn't exactly a question, but I would be curious to know how this property of filters plays into designs. I can imagine that in RF designs this might be why signals are often brought down to be filtered at a lower intermediate frequency rather than a higher "intermediate" frequency.