I'm not going to pay to have any politics thrust in my face.
(his) Politics have always been inserted into Dilbert. It's always regularly had an angle of being a piss-take of current politics, be it corporate, social, government, media etc.
Hmmm.
While there's some degree of validity to that, it is going to depend on the definition of "politics" and what is regarded as being inside/outside that category. To some extent, that will always be a personal value-judgement, in the same vein as the definition of "art".
I would exclude
internal corporate/team/project and inter-personal shenanigans as being non-Political (with a capital P).
It becomes less clear-cut where gender/race/religion is involved. Unfortunately warriors of
many kinds are becoming involved, and that leads to inhibition and self-censorship - to the detriment of all. My presumption is that behind a
paywall, the need to ensure continued payments will bias the drift towards stoking resentment over divisions and attitudes.
Unfortunately the modern trend - that is very visible in (un)social media and becoming more visible in fringe broadcast media - is to emphasise differences and grievances in preference to common ground and beliefs. That creates an emotional response that creates addictive "involvement". I find that reprehensible.
I much prefer
open lampooning of silly divisions and attitutes. That's the classic old Dilbert model, amd Adams thoroughly excavated such rich ore deposits. There were signs that (after 30 years) he was finding it difficult to continue making money by mining those deposits. Analogy, in the knowledge that analogies are dangerous: when public businesses reach a plateau and begin to decline, they are often bought by private investors - who then begin to rapaciously exploit their declining customers.
Summary: there's a grey area between good taste and satire on one side, and rabble rousing and hatred on the other. Adams was moving into that grey area, and I presume would accelerate behind a paywall.