That's just... wow. The hair on the back of my neck stood up. Everything aboot the layout and the PCBs on that thing just feels like golden age Sony; but the chassis and CRT fixtures still feel Textronix.
It's like some unholy demon child... I want one. 
mnem

His PCB is very close to 454A.
No, no... I dunno how to explain it. It's not just the gold-plated traces and the color of the FR4... it's something else; something you wouldn't recognize unless you spent years up to your elbows in various Sony commercial video monitors, cameras and recorders.
I'm talking about their golden age... when they were pretty much the undisputed gods of analog video and certain types of audio equipment. It's the type of components used, the parts density, even the way they're clustered together in groups and how those groups are laid out. I got to where I didn't even need to look at the part numbers; I could spot Sony PCBs in a pile of everything else.
It's like the difference between how Westerners & Japanese write verse and other structured documents.
Westerners write from left to right, the full page width, with a single idea collected together into a sprawling vertical mass of text separated by lots of vertical space for emphasis. Japanese writing in the traditional tategaki format is more than just columnar from right to left; it tends to be much more economical with whitespace and with words themselves; every one chosen carefully, packed closely together in tidy columns, and not a wasted syllable if they can help it.
At least, the translated works I've read seem this way to me... that is probably as much to do with the translation as the original work, I dunno. 
mnem

Tektronix made the Furshlugginer!!

650 series picture monitors------the most diabolical disasters that ever left Beaverton!
They used a Trinitron, but that seemed to be the only contribution by Sony.
They should have been great, but everything just seemed to be "off" in the design.
There were sheet after sheet of modifications issued, some replacing the earlier ones, so if you bound them, as my work did, they were nearly as thick as a phone book.
Sony made the pix monitor space in their VTR rack exactly right to fit a 650, so there were plenty around.
Over time the crappiness of these devices became obvious, so Sony brought out the BVM1301, which fitted perfectly in the same spot, was very reliable, & if it did need work, easy to work on.
The 650s ended up stacked up unused wherever there was space.
None of the Sony pix monitors were as pretty internally as their other equipment, (or the Tek 650 series) but they made up for it in performance.
The crown for crap picture monitors is disputed by other manufacturers, like Philips, Barco, Bosch, etc, but Tek is right up there!