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Regardless. Anyone who thinks they're going to get decent sound out of little tinny 3 inch speakers should consider buying this bridge.

Well wonders of modern sound engineering like passive cones and sound processing (digital predistortion) and the ability to make them all the same, quite precisely, makes thingys like the "Bose Soundlink" sound quite good. A lot better really than they should for the size. Sadly, the Bose soundlink is really nasty to get replacement batterys for, working ones that is. Have a broken one here with that error. Powers on but refuses to work if it can't talk to the battery 
I'm with med here -- there is no substitute for doing it right. The new-fangled engineering can produce less undesirable compromises that in some use cases might produce a convincing physics-law-bending illusion. I'm constantly impressed by my work computer -- a 16" Intel Macbook Pro. It's got the best laptop speaker sound I've ever heard. But it's no match for my small bookshelf speakers driven by a Quad 303 amp.
There are two problems here;
- The "stereo" thing that our parents fought for is dead. I'm old and crusty enough to have experienced stereo for real, the intoxicating rush that good stereo reproduction gives. It's the difference between "yeah, ok" and "This is so good that I'm crying and the hairs stand up all over me"
- Those small things sound "like bass". They don't make real bass. That's the realm of 18" drivers in large cabinets built from 18mm Baltic birch plywood, with lots of clever bracing. And an amp worth its salt.
I used to do this for a living. I know what it
should be and that Bose/others crap, well it ain't.
Finally; there is nothing wrong with using all the fine, dandy science paired with good quality components, and enough cabinet volume, mass and power to make the engineering compromises less drastic. The work done to reduce distortion and increase SPL per truck pack meter for live sound would not be possible without DSP cleverness and lots of real engineering work.
Good modern studio monitors (This does include the NS-1000M, but
not the crapola NS-10M), which are the tools that Audiophools refuse to buy because they're not fancy and they're precise, no-nonsense TE style reproduction equipment, are another example.